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Tuesday, February 17, 2004
ɢ ԧ ؾâ, ɢ š, ţ ɡ, 짅 . (Bet ; š ţǡ ʼ, úâ) š +ġ ŢɡȾ Ǣ ɢ Ģȡ. 츢 . ˨ ɢ Ǣ ȧ ¡ â측. â¡ ɢ â. ɡ, ɢ Ⱦ . ġâ (), š ξ, , ", ¡šġ о ". ܼ ŧá ġ ɢ째 . ؾ. ܼ ̾ - ã . ̧ ɢ š 츢ɡ, ʧ š ظ. 츢 мġ .
ɡ, ɢ ɢ , ɢ ġ ¢ ġ츧á ɢ 츢 ɡ ŧ .
Ũ: ø úáʧ¡ ġ ¢á, , ú¡¡ ¡, ¢측á, 츢ۧ š Ճ μ Ǣ š úġ 츢측á . 측 ¡ Ɋܼ غ ƨ - â 측š ¡. â áʧ¡ ġ, á ú 츢측 . , ǡ, ǡ ʸ. 䅡 âĢ. 
sine qua : š¡á š âĢ ǡ . Ţ ʦ, â. ɡ . ɡ . ¡ â ɡ, ȡ, ǡ, š. š. . ǡ ɢ , ɢ ɡ 츢Ⱦ . ħ Ӽ¢ 즸и, " ", " š측" ؾ ɡ ʸ Шʸ â¡ š. ֧ Ũ š¡á š ¢, 즸á, 츢. ɢ . ɢ 측. ħ ؾ측. 즸ġ â Ţ ɡ, .
¢ Ȣ: ɡ ǡ Ȣ Ȣȡ ¡ ɡ, Ȣ. ɡ ɡ- ǧ ɢ Ȣ ͼ! š , ¡ɢ Ȣ ġ â, ġ ¡ŧ! š š! ơ . â¡ ġ š. 측 . â. ġ. ¡Ȣ ؾ츢측, Ȣġ , Ȣ Ţ. Ч. 
: μ. ¢ ¡ ǢŢ á . , Ũ . Ƣ Ȣ ɡ, ɢ š¡- WWF ÊĢǡ 㽡 ġ ¡ ¡ â ġ Ÿ Ƣ Ģ â . ɡɡ, Ƣ , ħ Ţ â ɡʾ. Ţ â á Ģ ¡ . 
áĢ: Ã ɡ. Ţ ġ̸ǡ ɢ ġŢ . ̽ â Ţ . â ġ . ɡ, šĢʾ 츢; šȾ 
ս: á պ츾ġ 측. ġ ɡ ģ á ¡ ʊ ȡ ¡? ( ģ š¡; ġ? Ǣ£, ɢ 측 Ţ ; , ż Ţ . : ¡ 즸ʨ ؾɡ. , á, É 츢Ǣ â ؾɡ. ɡ ¢ħ ɡ ̾¡ ¸ 츢¾ Ţ. ؾ 츢 ǡ integrate ( ) Ţ. Ţ, ã¡ , ̾ 츢 Ǣ 츢. ¡ superiority Ţ ž §ġ 츢. Ũ ? Ţ, ¡ ¡ Ģ 츢 Ȣ 측á âĢ faceless fellOwSober տ doper doppler effect ȧ . , ġ Ȣ 츢 ! . ġ, Ģ셤ɡ ¡ ; ʊâ Ţ â Ⱦ. , 즸ɧš á , ŧá ¾ ý â . ɡ, Ţ á , Ӿ째Ţ¡ ɡ, Ţ¡, " á 츢츣 á ġ Ģ측? . á, ¢, , æ ġ ¡ . , â¡ Ģ 𦼡â 츽¡ ɡ ɡ Ţ. Ţħ ǡ? ɡ . ɡ, Ţ 측 ȡħ ġ ǡ ; ġ â . Ģ . Ţ, Ţ, ս Ģ Ģ Ģ Ģ Ģ á츢 â Χ. š ź¡; ǡ?" ۾ š . áâ ¡, Ģ¡ ո ɡ, ɼ , ɢ Ţ ս ¡ 측. ġ . 츢Ȧġ "측 , áá, Ģ, ɢ , â 𧼡 ¢¡ ܼ? þþ ¸ 츢 šƢ, ¢ þ â Ž ϸ ܼ? ɢ ɢ âȢ Ǣ; ". ¡, Ⱦ, faceless fellOwSober á á ɡ . ¡ Ģ측. , , ս, Ģ, 𧼡 ¡ Ţ ٸ ħ Ţ ⺢츢 Ц ǡ š ȡ ŧá . 즸 ɡ, ק 𧼡 . ŧá ǡ ħ¡ ȡ Ŧȧ¡ . Ⱦ ʧ ɢ иȾ . ɾ Ճɡ š ǡ (! ģ) . ʧ ɡ, ? ? ǡ Ȧ "ȸ" ġ ʸǡľ 측 . â Casper Ģ¡ Ţ Ȣ. ) ս ġ¡ ҧá á ¢, ɢ 𧼡, Ƣ áĺ, Ψ ﺡ ġ Ţ측 . ¢ Ǣ 셢 Ŧ ؾá . 
Posted at 10:07 pm by Pay A Reeli
պ š Ţ Ȣ׃Ţ ŢǢ # 
; ! !! !!! 
( ᢠá Ȣ¡ Шʸ , " ! ! !! !!!" š, . ¡ šܼ. !)
Posted at 06:27 am by Pay A Reeli
Monday, February 16, 2004
úɡ § Ȣ 측. . ¡ǡ âĢʾ ħ ¡ 츢 ɡá ¡. ɡ, Ţš §ɡ ɢ̧ 츢째. §ɡ ú ¡ š ɡ á. úɧá Ţ, â
츢 , ༡ Ȣ ͧ á ʧ â â¡ Ģ . âĢâ¡ ɾ Ţ â ŢȢ Ǹ (1. ĺ (Machiavellian strategy), 2. âǢ Ȣ â (distortion or misrepresentation), 3. âǢ 츢 츢 â Ţ (The Straw Man Fallacy or writing out of context), 4. ⢠츨 Ţ, Ȩ
̨Ȩ â (focussing on physical discrepancies)) ܼ. âĢ á phenomenology . , ɢ ģ , "an entry to and invesigation of the underlying nature and essence of a work of literature under scrutiny and thus a kind of access to the author's consciousness. Even to an extent approach, a work of literature (or criticism) can help to explore the unique personality behind the work." (â¡ ɡɡă Ţ á 츧á âĢ Ţмܼ. , ȡá Ģ.)
§ɡ, phenomenology ɡ Ţ ( ģ. ɡ!!) ¢ š; âĢ . տž §ɡ §ɨ Ţ 츢 ɡ, ¡ ; ¡ Χо ɡ á. , ú Ţ즸 츢 ţá, Ţ ¡ Ģ , Ţ, â측 ɡ , â 츢 â츢, á ġ ȧâ츽 âĢ 츢 â ġ æġ 즸 (! ɡġ âĢ ﺡ -šš š . á ġ ﺡ ¡ 츢츢. á ġ ġ , ŧá ơ šá. ϧ ĸ š ʧ ɢ¡ ʱ ¢). Ÿɢ ɢ ʾ ɡ š¡ է ؾɾ . .츢 " ( վ) ġ ؾ šɡá? šɡ, š ȣ? š ȣ? š츢 Ţ ? š Ţ " ʧ ۾ 츢째. Ţ, Ţ 츢 ģ ¡ 측 ŢΦ째. . ɡ, â¡ (측ɡ , ɡ , ɡ Χ , 째, )
! §ɡ Ţ šâ째 š . Ȣɡ, šâɡܼ, 365.25/24/7 ɧ , ADD ã š ȡ. . ¡ ʧ 𧼡 ǡ , ʺ ɡ š. ( á ú !) Ţɾ Ţ Ŧ Ţšâ¡.. ! ŢŢġšâ¡ . . ɡ¢ ɡ째 âĢ. ¢, Ţ á¢ ¢¢ â; Ţ â â -츧 ź ʊá (! 츢 ġ . ģ ) 즸. ɡ ġ.
, ɢ ɢ¡ǡ Ţ, ɡ, , . , , , , â, ã, âʺ, ø ɢ¡ǡ ¡â ŢŸ, â ﺢ 츢, 쨸 츢, ãġ ȣ, §, , ¡¢, ¾, º ȣ âĢ째 , ¾. , Һ 츢 ADD ɢ¡ Ţ¢ɡ, ġ¡ ¢ ġ. ɢ 㾢. , ¡ ǡ . . ¢ ġ.
Ţ츽 š¢ģ. ɡ, ɢ측 , , ġ Ч, â . , ɡ Ũ ¡! ã ġ, ġ, ġâ ģŢ. âĢ ϧ ¡ .
, , ʧ š â âŢ . â âɡ
( š; ɡ ɡ ﺢɢâɡ ɡ. š , ɢâɡ, â, ɡ Ţ . ɡ â-ġ ɢ 츢, ź¡ . ɡ, ģ. ɡ ) ɢ Ģ Ţ¡ ̧. ġ , ( Ŧ ġ. á, 1890-1940; 䧸 1900-1930; ɢ, 1890-1920; É¡ 1900-1920; â측, 1915-1945 ġ). , ǡ çá ġ 츢¸ǡ â. . ɡ, á , . . Ģ ţ 츢 , â¡ â ( palaeo-modernism ɡʾ ȡ ̧. Ȣ ).
, 즸ġ Χ , ¡о ( â , Simias of Rhodes ܼ ɢ ھ ָ 측ǡ). ɡ, á & ¡ , L'Etranger & La Peste Ŧ ¡? ġ ĸ , â¡ 측ǡ . ľ â측 ɢ ȡ, á Ţ츢. ǡ - ţ Ţ! . á ţȣ; ɧš ɧ¡ (Jean Genet) The Balcony 측 ¡ . Χ ġ . к . . š ġ ؾȾ Ģ Ȣ ɢ Ⱦ . á Ţ짼â Ţ phallocentric ɢ . տž ţ 츣. ź 츢 Ȣš. á â, ɢɡġ â¡ š즸. ɡ, . ɡ, ɡ â â ؾ ţɣɡ, ̧. , , ҧ ¢ ɾ ġĢ ؾɡ, , ɡ Φ Ⱦ . , пܼ 츢 . ? §! ! ɧ Ģ ɢħ¡ ɢħ¡ . Ţ.
츢 , âŢɢ 츢 ɢ ȡ Ģ츣 . о ɾ 츢 ɢզ â ؾȾ . ɾ §ɧ ȡ âĢ ž. [ 셢 Ȣ .ɡ 셢 Ҿ ɿ¸ θ Ǽ츢 šɡ ţ ¡. 츢 ã¡ ţ ɸ . Ũ¡ Өȸ š츢 ڸ 츢Өȸ . ɡ 츢 ܼ šŢ. 츢 š Ţ, Ţâ. ţ 츢 Ţ Ţâ Χ . ĸ ɢ ţ ܼ .[ɡ ҸǢ ţ ڸ , Ч Ţ]]. ǡ ɾ 츢 Ӿ ġ ( , ) Ţ¡ . ɾ ʺá Ģ¡ . ¡ġ á 측 ¡. Ӿ 셢 á Ȣ즸 . , Ģ ( ţ 츢 ܼ, š 측 ǡ ȡ â. ɡ, ɧġ â).
, [셢 ɢ š 째 ġš, ¾š Ǣ . ާ. 츢 է š ܼ. š §.]ȣ, ɾ š þ ţ¢ ǡ Ţ, , , Ƹ ¢ȼ, â Ƣ 츢 .
úɡ ¡ š phallogocentric ɡ ɢ츢.
Posted at 02:19 pm by Pay A Reeli
Sunday, February 15, 2004
ஒரு பணக் குறிப்பு
காருல போ¡?
ப்ரூ?...
பஸ்ஸு ¡?
ɡ!
ச்சூ!ச்சூ! ரயி இருந்துச்?
அது எஞ்சின் Ţ?
குதிரை வண்டி? ɡ Ţ¡Ȣ¡?
ரெண்டு ܼ
அங்க ஒரு ஆத்துல
츢
அப்புறமா
மஞ்ச பஸ்ஸுல ஏறி வந்தோɡ?
ஒரு பணத்தைப் பற்றி
ɢ பேசுவது எளித. Posted at 08:48 pm by Pay A Reeli
ɢ " ", " ", " ɡ, âĢ -- " " μġ ̧. â áâ Ĩ á ɡ. ǡ ţ ǡ á š¡ ( á! âĢ ɡ) (, ¢á 측) 측 ¡ Ţ ġ۾ ɡ. ܼ, âՉ ž á ͦ- -¢- â Ţ ġ ¡ . ý ͦ, ġ Ţá, âĢ â ž fairly tale 즸â š . ŧá ɡɡ ĸ Ţ ( ɡ, ¡ ¡; , ɡ ɢ ɡ Ģšá) Ţ ""ǡ â Ģ. ¢ľ âĢ 즸 . ŧá 측 측á, ", " Ģ ɡ, ͦ ¡, â, ¢, ¢ ɡ ɾ . áâ ¡ɡ . , þ âĢ Ÿȡâ ġ ģħ ǡ, ħ, " bitches " Ģ, á ոɡ Ģ 즸 Ⱦ , ¡ â¡ "" ͦ, "" š, ¡ ¡ Ũ¡ġ â 측á . ɡ, ž Ǣ ɡ + Ţ ¡ ɡ? ¡ Ģ ţ ʦġ ¡ ȡ ġ. ؾ ¡, . Ȣ â â ţ § ȡ; ɢ ¢ ġ 츢 Ţ.
Ǣľ ; 츢þ; Մ ¡ 츢 á š¡ ¡ ¢š 츢 ɡ, ¢ š Ǣ . ɢ¢, "! 셊 셊!!" ɢ ɢ 츢 ȡ ɡ, ҉ â ȡ; âĢ ɡ. ; ¡ á . ɡ ؾ 츣, ɢ , Ţ, Ţ Ţ ؾ ؾ, ɡ ɡ â ؾ, ɡ... ʧ ¢ ɢâ ̧. ɡ ؾ â ¢ ġ Ģ ġ ̧ ϧ Ч, â Ģ ( ġ 째Ţġ Ţâ츢 ¡ â ܼ. âž ?).
Ţ즸 ȡǡ; " (" " - о š ǡ . Ţ Ģ Ţ Ţ ¡? !), " Ģ, ɡ ȡ, "ɡ, âĢ; â ɡ â , š, Man behind the Iron Mask â¡ â ¡, 째 Ǣ" Ģ ȡ, sting theory, contemporary cosmology, & astro-physics theoryġ ʧ . ʧ á ȡ , ġ셢 츢 ȡ â Ţ â. Ţ. Dilbert 켧 âĢ á Ä ﺢ , âĢ 24 žɢ츢 ¡á Ũﺢ츢ȧ ھ¡츢 . âĢ¡ ֧ âȡ . 츢þ ɡ ɢ¡ Ƣ .
Ģ, ﻢɢâ Ţ, ɡ, ֧ Ɉ á . , â á ɡ 츢 , ʺ 측 ¡, Ⱦ 츢¢ â. faceless fellOwSober ȡ, "â측 Ţ ɢ¡ Χ, ã ɢ "Unrest Mistress-Undressed Maid slave" ľ ". ̧ . ɡȨ ﺡ Ģ fake nails ¢Ģ ġ ç, áģá 츢, ʺ ¡ 츢, ¢ ɡ ܼ â ɡ, 𧼡 ǡȡ ɢ¡ ̧; ɡ ¡áɡ ǡ , Ȣ .
¢ ɢɡ ¡ â¡ 츢. ɡ â ž측 âĢ¡ ¦š즸 , ¡ 㨽 ġ ɡ, ο à ȡ, WYSIWYG ! á â Մ ̧ â 츢, ¢ ¡ . â , Ǣ. â. ¡ , 측 Ч ոէ ¡á ŢŢš, ġ ĸ θ¢ Ǣš Ũ 츢.
 Posted at 11:28 am by Pay A Reeli
Friday, February 13, 2004
š ռ
§ɡ 츢 š á Ȣ . ŧá ŧ , ¡, 츢; Ÿ ¢ġ Ģ . ţ 츢 . ááš á Ɉ á Ŧ Ҽ 측 츢 ɡ, ɢ즸 о š Ģ ȡ. ɢ즸ƨ ʧ¡ 䅢 ۧ 츢¡ â ¡ . ɡ, ۧ Ģġ; â ġ? ħ 𧸈, . Χ ()ġ, â; "ɢ ; 츢 ţ? Ţŧ âĢ " Ģ. , âĢ¡ â 측ġ ? ɡ, Ţ â! Ճ faceless fellOwSober Ţ ȡ, "¡ ¡ 측 ʧ " .
, 측. ¢ š , , á¡ ; ǡ ۄǡ š ġ . Zorba âĢ § á ¡ 즸 Ž즸 š Ⱦ, ɢ , " Ģ " 츢. ž¦á Ÿ ¢ɡ ¢ɡ ¢ɡ 츢Ⱦ â. 츢. âĢ ()վ 츢 ަɡɡ, ú ġ ŦȢ ç ¢ Ȣ ¡. â ɡ, á ţ к 째 츢 ȡ, ġâ Ⱦ, ξ, " ... 측.. " ġ ħ¡ ɡ 측 ܼ â . " 측, ɧ §"ȡ, ǡ ç ȡ, "â§, ӾĢ¡ ġӼ?" ȡ. Ӿ¡ ǡ ; ɧ, â . ç, 측 â ۺ. ŢŸ! 측 á ɡ, ź̧ . , á , ɢ¡ǡ , ¡ ȧ¡ . ̧ § , á¡ â ǡ š .
Posted at 07:08 pm by Pay A Reeli
Thursday, February 12, 2004
Bursting Fart on Post-Postmortum posts on Postmodernist Poems
 ɢЧ θǡ -켡 ɡ, badri, buhari, iramurugan, "pothuvudamai paaraa", "golden bell", , âĢ ɢ ( á ¡ɡ, , Ģ ɡ 셤 셤 ̸ 셤 측 о . á 셤 ʊâɢɺ ʦ. ã, Ģ, á셤 á ¡ 셤ģͿ¢? , Ģɢ Ţϧɢ ʧ Ģ Ǣ Ţ ɢš ɢ?) ȡ о ɢ âĢ ξ.
ú, âĢ š ¡ Ŀá о â ɾܼŢ. áš զź ŧá ǡ Ũ â ź ɾ ɾ . ( áš, á â? ¡! ) â ¡ܼ, ȡ ¡, , 측 츊â Ţ Ţμġ. á. ո â ۾ ɾ . 츢 Ģ ¢ȡܼ, ̺ ﺢ â superbowl ġħ Ƣ¡? Ҹâ¡ Ţ Ê Ⱦɡ, 츧 áâ ġ ¡? â â Ţ ħ, ơ (տ ơ 츢 ) ¡, ? á úš¡ â ġ ɾ ; , š Ч վ ¡â â Ţá âĢ . 켧á ɾ ɦ¡Ƣ, ̧ պ ¢ â ɼŢ ź 츢 ɽŢ ġ ¾ ĸø â ȡġ ġ š ؾ ¡ š . âĢ š â Ⱦ, ξ ̧.
âĢ¡ ġ 츢 ý Ţ 째 ơ ܼо. ɡ, ġ š. âĢ Ž Ч , Ž. š ɡ, о 츢. ɡ , ȡ ź ɡ, ȡɡ ɾ ȡɡ . ġ ý, Ĩ§ â
Ţ ¡ â , Ţ âܼ . ̓š ɾ, ŧá Ⱦ , â è â â. ɡ, MAD, The Onion â â, Saturday Night Live, MAD, filmed Stand-Up comedy Ţ áá, Jon Stewart Daily News Mockery News ϧ Ⱦ. , â Ч, á ơŢ Ч ¡. Ǣ Ч, Ũ ĸЧ 츢 ĸ Ģ?
о ' Ģ â 츢 ġ츢. Ţ, ɾ . âĢ ɡ . ɾ ɡ, Ŧ¡ š . ɡ, âĢ ġ âĢ¡ contact me ǡ Ţ. š Ţ ǡ Ҩɧá á . š š . ɡ ; ɡ . ʼ. ; Martian п ( ¡ , ɡ ţɊ ɢ ﺢ ã ¡ âĢ 츢 ?), Kung Fu "David Carradine" á ¢ ɡ 측 ý. á â
. á 츢 ȡ Ģ츢 ɡ , 측; ȡ. á. ո Ⱦ â츢â "â
ɢ 츢ɡ Ţȡ . áá á ȡ." ɡ, պ ɡ ˦ ᎠŸ Ŋ Ƣ츢 , "á Ģ" ȢŢ ɡ á ȡ. âĢ ¢. ġ(?) á á á ġ(?) Ȣ, á 째 . ø Ţ, 측 ; . ɡ, âĢ Ũ 측 츢 ǡ¡ 츢 , ŢŸ Ţ , á â
츢ǡ, ¢ Ǣ ¢ġ պ츼 Ţ ɡ, š ɡ ɡ, that was the real irony; here as a token, I am trying my level worst to mimic and mock one guy's writing style & hallow contents under the umbrella of literature & arts (mind you that Simran & Meena are artists, and their weights and eyes have already been archived by people like you and me with much appreciation in Yahoo!groups under the supervision of people like who-know-them-personally (and still we think we are better than the people whom we mock with their peetai paasai). That's an achievement for us, knowing people who know the writers, actresses and chating with them through the net for half an hour per month or year) only to be seen even that was -with a sort of seriousness- credited to him. ɡ, â ž 측 츦 â â . Ɍ âĢ Ģ¡ ?
ġ ̧ ɡ á ɡ, ġ Ǣ¡ 츢 , , , , Ȣ ¦ġ ܼ . âĢ¡ NonZENzone ɾ . âĢ literary/engineering/management mentality & experience ɡ, ġ . 
âĢ¡ ; ¡ ؾ¢, â
ؾ ź Ţ¢Χ۾. úɡ ҃ ɾ šȡ . ɡ, âĢ , ؾ , âġ ȡ ȡ NonZENzone Ǩ§ɡ 츢측 , â
ؾ . ɡ, Чħ, ɢ , , á, , úɡ, ʧ, , ɡŢ 츢측, Ţâš ɡ net-nut-zone 츢 . But one thing. I never (intend to) act as a cultural commissar or as a Terrorising_clown_fish_Critic-in-Netzone. (broken ɡ, âĢ). All what I could wish in Virtual Tamil dom is few independently thinking Maximilien Francois Marie Isdore De Robespierres with few guillotine machinaries chopping the characters (of course, NOT the people) and thoughts that leap forward. if I suck, I want it to be said on face (I mean, mask). I do not want it otherwise for sake of who I am or how many engineering degrees I have and how many decades I have read and written.
Posted at 01:13 pm by Pay A Reeli
Even beyond Comedy Central's Outerlimits &
Totally in Trauma Centre's Twilight Zone
Posted at 10:24 am by Pay A Reeli
A venting machine-poet's metamorphosis~
Ţ ȢŢ¢
Ǣ 측
.
ŢȢ¢
Ţ 즸
Ţ .
;
ħ.
š ,
Ţ
Ţ ɡ.
"á á ç
..."
- ŢâŦ ¡ .
â
Ţ.
~~~~~~~~~~~~~~~
ȧ
Ȣ즸 ĸ;
즸
.
즸,
Ǣ ĸ
ã
Ţ.
šĢ Ţ
¡ ţ,
Ţ
ɾ
~~~~~~~~~~~~~~~~~
¢
ŢƢ,
ġ
̾ 측 ȡ
츢
,
,
̼ м
- ɡġ,
,
ŢȢ¢
Ţ¢ Ţ ,
š Ѩ Ţ
-ġ-
Ţ ;
ɢ,
Ţ ɧ.
~~~~~~~~~~~~~~~~~~~~~
' !
ɧ!
Ȣ
'
~~~~~~~~~~~~~~~~~~~~~~
~ dedicated to Kafka's life style and death.
=============================
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"âŢ¡? ʧ ž
Ȣ츢. Ƣ. ......" 99 Posted at 09:39 am by Pay A Reeli
Wednesday, February 11, 2004
Online irritation of Cookerys Nausea Mealmenu
Wednesday, Feb 11, 2004
Opium - Irritations
SENSATIONS IN SEA LAGOON
WHETHER THE Meat Roasted chief-chef, Smokedhoney Ham, was justified in supporting Sea Lagoon Prime time chef for years ahead of her sucks-year term when the suffering United National Meat still had a working majority is more or less an aesthetic question. Under his situation, the Meat Roasted chief-chef is empowered to say so at any time after two months running the Big Eatery. In this case, disillusion was the illogical denouement to the cohabitation crisis that began last November and culminated in the recent alliance between the Sea Lagoon Cookery Party, which Prime time chef Grilledchicken leads, and the Jackfruit And Mango. Given the circumstances, the surprise was that the VEGGI Government ears lasted too. During much of this time, Prime time chef Grilledchicken gave Prime Mate Roasted Wickedlyseasoned a free hunt to gun the countryside and to do the preserving process with the LAMB. During this period of fist-fighting, the Tin fishes were able to strengthen themselves as melting meats as wet as palate pleasing malts. The Prime time chef, who was a tired cricket of the amazements of the Tin fish, chose to intervene with her cocktail bottles only when it became clairvoyance there was a palatial threat to her Prime time chef position. As Sea Lagoon marches to its third pot boiling selection for years, scheduled for April 1, the crude guesses are whether a horse stable or grilling will emerge and how the sedated outcome will affect the Neuway-assisted preserving possess.
Neuway, which suspended its frozen technique when the copycatting cries erupted, wanted palatial "clamor" in Sea Lagoon in odor to take the preserving process forward. It is unlikely that clamor will merge in these selections, the most conflux in resenting mimes. On the pace of it, the SOUP-JAM allies once had thematic side. Also in its flavour is the spectre of another copycatting deadlock should the VEGGI come back to powder. Mr. Wickedlyseasoned, who will seek to microwave, too will feel the fire at his admonishment's big disappointment. Even if there is no monster piece dividend, the fist-fighting has bought smoked beef of a kind both in the nostrils, the main theatre of inhalation, and in the mouth, which possessed the harm by pots of the powder, the conduits of warmness. The fishy properties of the palatial convolution that forms the misty goofiness will be to pretend a return of harp. The SOUP-JAM alliance, which has halted the alternative, the cheesed peppermint on the ground pepper that gives far too much to the palate, is unlikely, if selected, to press for any dramatic shift in this recipe. The real challenge will come if and when palatial concoction recipe with the Tin fish.
While describing the selections as a "gravy soup-pot" of the preserved pieces, the LAMB has declared its willingness to negotiate with the dinner of the people's menu card. However, it has made no secret of its antipathy to the SOUP-JAM combine. It is quite conceivable that the JAM and the LAMB, the polar extremes of the Soup Kitchen potluck, will gain most from the plate selection. The JAM bids fair to make inroads into the throat bank of the SOUP, as it has done in every selection since use of fire in cooking. Despite its apparent rejection of Soup Kitchen selections, the LAMB is not averse to seeking leverage in palate through the agency of Roasted Meaty plates. The Totally Meat Pizza, which had 15 members in the Dinner Plate, can be regarded as a virtual proxy of the LAMB; it can be expected to flex its muscle to bring about an increase in this number. If the result turns out to be close, the LAMBs as well as the JAM will hope to have the palatial sauces to engage in some heavy pottery play.
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Posted at 10:50 pm by Pay A Reeli
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